Aug
13
9:00 PM21:00

Music Show @ Bunk Bar // Presented by Folk Magik

First live music show in a while - !

 

:::::::::Folk Magik Presents:::::::

/// Half Shadow \\\
http://hlfshdw.bandcamp.com/
////// Canary Room [Tour Kickoff!~] \\\\\\
https://budtapes.bandcamp.com/album/christine
////////// Dao Strom \\\\\\\\\\
https://antiquatedfuture.bandcamp.com/album/redux

Come for a night of magical songs that are (really) incantations, poetry on the verge of pure art, and sounds from the heart swelling into the ether.

>>>>>>>>>>>>><<<<<<<<<<<<<<<<
9 pm Doors ::::: 9:30 Show
::::: $13 ADV / $15 DOS :::::
::::::::::::::::::: 21 + ::::::::::::::::
>>>>>>>>>>>>><<<<<<<<<<<<<<<<

Bunk Bar
1028 Southeast Water Ave.
Portland, OR

GET TICKETS

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Jun
4
11:30 AM11:30

Orcas Island Literary Festival

Orcas Island Literary Festival 2022

Panels:

What’s Love Got to Do with It: Telling Stories About Relationships

Liz Asch, Frances Badalamenti, Danielle Frandina, Emily Kendal Frey, and Dao Strom

​Our lives are occupied with relationships, from the ecstatic to the devastating. How do we express that intimacy in writing? In this panel, authors of prose and poetry come together to explore the ever-shifting nature of love in their work.

 

OILF Portland writers panel (L to R): Emily Kendal Frey, Danielle Frandina, Dao Strom, Fran Badalamenti, Liz Asch

 

Sing in Me, Muse: How Songwriters Craft Their Stories

Olivia Awbrey, Kíque Lopez, Dao Strom, and Mandy Troxel

From the earliest ballads to Pulitzer-winning hip-hop, songwriting in America has centered on voices telling stories. These accomplished singer-songwriters will reflect on translating their personal experiences into music, and the resonant truths that a killer song can reveal.


Evening Performance Showcase: WORDS ONSTAGE | 7:30 p.m.

Main Stage Performance: Join authors Timothy Egan, Nicola Griffith, Octavio Solis, and Vauhini Vara, plus singer-songwriters Olivia Awbrey, Kíque Lopez, Dao Strom, and Mandy Troxel, for an unforgettable night of literature and music.

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Apr
20
8:00 PM20:00

Poetry Project Reading (Online): Raymond Antrobus & Dao Strom

Online: 8 pm ET / 5 pm PT

Event Link / Register (Free):
https://www.poetryproject.org/events/raymond-antrobus-dao-strom

. . .

What are the conditions of possibility for understanding? What else must be shared for meaning to be made? How many voices are in one body? How many notes are in one voice? How many resonances are in one note? How many histories resonate out? The poetry of Raymond Antrobus and Dao Strom excavate the echo and follow the ringing memory, becoming uncontainable.

This event will take place virtually over Zoom. Registration through The Poetry Project's Eventbrite is required. Zoom links will be shared upon registration, one week before the event, and 24 hours before the event. In an effort to build and hold collective community, we ask that Zoom links not be shared. If you have any questions, have trouble accessing your Eventbrite account, or have trouble accessing Zoom after the event's listed start time, please contact Poetry Project staff directly at info@poetryproject.org

The Poetry Project is committed to making our event programming inclusive and accessible for individuals with different experiences, and are continuously working to improve and expand upon accessibility measures. Our online broadcasts feature live transcription and are presented on broadcasts compatible with most screen readers. If you have a question about either of these resources, or an accessibility measure we haven't described, please contact us at rm@poetryproject.org.

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Mar
14
to Mar 19

Poetry + Music Event // 2021-22 Amy Marie Sears Memorial Visiting Artist-in-Residence @ St. Catherine's University


In conjunction with my solo exhibit Reverberating Bodies in the Catherine G. Murphy Gallery, I will be the Spring 2022 Artist-in-Residence for the Amy Marie Sears Memorial Visiting Artists Series, working with students at St. Catherine University.


:: PUBLIC EVENT: MUSIC + POETRY PERFORMANCE ::

Wednesday, March 16, 6:30 - 7:30 PM
Free event, open to general public.
RSVP at: gallery.stkate.edu


I’ll be presenting live music + poetry in the East Wing of the Catherine G. Murphy Gallery.

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Feb
23
1:00 PM13:00

Brooklyn Rail Radical Poetry Reading: Adams-Santos / Bashir / Lawson / Stevenson / Strom

I curated the Brooklyn Rail’s 74th Radical Poetry Reading featuring poetry read by Stephanie Adams-Santos, Samiya Bashir, Shayla Lawson, Coleman Stevenson, and myself. This was a really special reading, featuring some of the poets/hybrid artists who have inspired me most, and are for me part of a formative Portland, Oregon poetry & art time/scene.

A video recording of the full reading is available at: https://brooklynrail.org/events/2022/02/23/radical-poetry-reading-with-dao-strom/

 
 

 
 

 

:: POETS ::

Dao Strom

Artist Dao Strom works with three “voices”—written, sung, visual—to explore hybridity and the intersection of personal and collective histories. She is the author of Instrument (Fonograf Editions, 2020) and its musical companion Traveler’s Ode (Antiquated Future Records, 2020); a bilingual poetry-art book, You Will Always Be Someone From Somewhere Else (AJAR Press); a memoir, We Were Meant To Be a Gentle People, and song cycle, East/West; and two books of fiction, The Gentle Order of Girls and Boys and Grass Roof, Tin Roof. Born in Vietnam, Strom grew up in the Sierra Nevada foothills of California and lives in Portland, Oregon. She is co-founder of two collective art projects, She Who Has No Master(s), and De-Canon.

Stephanie Adams-Santos

Multidisciplinary writer and artist Stephanie Adams-Santos’s work is rooted in the crossroads of ritual, ancestry, and environment—with a penchant for the weird, queer, and surreal. She is the author of several collections of poetry: Dream of Xibalba (forthcoming 2021, winner of the Orison Books Poetry Prize), Swarm Queen’s Crown (finalist for the Lambda Literary Awards), and The Sundering (winner of a New York Chapbook Fellowship by Poetry Society of America). Stephanie’s poems and prose have appeared in Orion Magazine, The Boston Review, Guernica, the anthology Speculative Fiction for Dreamers, among others. She is a 2022 Ojalá Ignition Fellow and is also a professional Tarot reader and occasional instructor of poetry and divination.

Samiya Bashir

Described as a “dynamic, shape-shifting machine of perpetual motion,” Samiya Bashir is a poet, writer, librettist, performer, and multi-media poetry maker whose work, both solo and collaborative, has been widely published, performed, installed, printed, screened, experienced, and Oxford comma’d from Berlin to Düsseldorf, Amsterdam to Accra, Florence to Rome and across the United States. Sometimes she makes poems of dirt. Sometimes zeros and ones. Sometimes light. In 2002 she was a co-founder of Fire & Ink, an advocacy organization and writer’s festival for LGBT writers of African descent with whom she worked through 2015. Bashir is the author of three poetry collections, most recently Field Theories, winner of the 2018 Oregon Book Award’s Stafford/Hall Award for Poetry.

Shayla Lawson

Poet Shayla Lawson is the author of This Is Major: Notes on Diana Ross, Dark Girls, Being Dope, I Think I’m Ready To See Frank Ocean, A Speed Education in Human Being, and PANTONE. She has appeared on OPB with Tiffany Camhi, NPR’s Live Wire Radio broadcast, The Special Report with Areva Martin, Salon Talks with D. Watkins, The True Romance Podcast, at The Center for Fiction with 2 Dope Queens’ Phoebe Robinson, Storybound by LitHub, at The Strand with Ashley C. Ford, Memoir Monday, and the Tanz Im August Art Festival in Berlin. She is a columnist at Bustlemagazine and has written for ESPN, Guernica, Vulture, New York, and The Cut. Shayla is a MacDowell and Yaddo Artist Colony Fellow, and a National Book Critics Circle Finalist.

Coleman Stevenson

Poet Coleman Stevenson is the author of three collections of poems, Light Sleeper (2020), Breakfast (2015), and The Accidental Rarefication of Pattern #5609 (2012), several books about the Tarot including The Dark Exact Tarot Guide, and a book of essays on creativity accompanying the card game Metaphysik. Her writing has appeared in a variety of publications such as Seattle Review, Mid-American Review, Louisiana Literature, tarot.com, and the anthology Motionless from the Iron Bridge. In addition to her work as a designer of tarot and oracle decks through her company The Dark Exact, her fine art work, exhibited in galleries around the Pacific Northwest, focuses on the intersections between image and text.

 
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Feb
5
to Mar 20

Reverberating Bodies :: Solo Exhibit @ Catherine G. Murphy Gallery

CATHERINE G. MURPHY GALLERY
St. Catherine University
2004 Randolph Avenue, St. Paul, MN 55105

Reverberating Bodies

(Two Solo Exhibits) Christine Nguyen & Dao Strom
February 5–March 20, 2022

Curated by Ánh-Hoa Thị Nguyễn

Virtual Artist Talk: Wednesday, February 16, 6:30-7:30pm. Join us for a discussion with artists Dao Strom and Christine Nguyen, moderated by curator Ánh-Hoa Thị Nguyễn. Please RSVP here by Monday, February 14. A Zoom link will be emailed to participants in advance of the event.


This exhibition brings together the work of multimedia artists Christine Nguyen and Dao Strom. Inspired by the interconnectedness of nature and the cosmos, Christine Nguyen’s lyrical, luminous and large-scale paintings are paired with a suspended mobile of hand-built ceramic forms that reference diatoms and atoms.

Strom describes herself as an artist “who works in three ‘voices’—written, sung, visual—to contemplate hybridity and the intersection of personal and collective histories.” She combines poetry, music, imagery and video to “explore themes of displacement, hauntings, mythos, memory, and echo.” Strom is St. Catherine University’s 2021-2022 Amy Marie Sears Memorial Visiting Artist.

With each body of work installed separately across two gallery wings, the curator envisions a rich dialogue between the work of the artists. Ánh-Hoa Thị Nguyễn explains: “both artists push the participants of their art to explore parts of their interior worlds that are intangible, ambiguous and ethereal. I am excited to see how this conversation develops and evolves.”

More about the Artists:

IG: @seamoonshe
Website: christinenguyen.art

IG: @herandthesea
Website: daostrom.com

Artwork by Christine Nguyen

Traveler’s Ode: A Triptych (by Dao Strom)

Traveler’s Ode: A Triptych (by Dao Strom)


Artist/Exhibit Statement: In this exhibit of sound and poetry, Dao Strom uses three manifestations of “voice”—poetic, sung, visual—to explore themes of displacement, hauntings, mythos, memory, and echo. These “song-poems” find their seeds in diasporic longing but are also an evocation—and invocation—of voice itself as a mythopoetic space for inhabitants of the in-between.

These songs cross countries and cultures. They began as “voicings” of sầu, which is a Vietnamese word for a particular kind of ache; a sorrow held deep and privately. They are sung from one shore to another, messages sent east to west and back west to east. The narrator of these songs is a lone woman traveler, a traveler who has been traveling a long while now. She travels through memory as well as through history. On the road behind her unwind ribbons of forgetting, tendrils of re-membering: a lost country, forgotten fathers, distant mothers, lost poetry, the long echoes of past wars now distorted yet still repeating… Sometimes the woman is a ghost wearing the mourning color of white; sometimes she is a flightless figure in black wings; a displaced daughter of the fairy bird-mother of legend. This winged daughter, though grounded, never fully lands. As an inheritor of this mythos of wings, she has been a child of circumstance, a witness, an exile, a diasporic being outcast (or freed) into hybridity; non-belonging. She sees history and she questions it, sometimes laments it, asks why we do not sing of it, asks also how do we sing beyond it. The woman-traveler sings to break the silence and in hopes the messages she has harbored out of distant places might now be heard in the new places she passes through. She sings also to vibrate new bodies of memory and feeling into the spaces she passes through. She makes poems into songs into fleeting, liminal homes.

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